Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 161
... death are interlocked in his mind and in particular of death as a payment or placation for the granting of love . His own death , because acknowledging love still presents itself to him as an annihilation of himself . And her death ...
... death are interlocked in his mind and in particular of death as a payment or placation for the granting of love . His own death , because acknowledging love still presents itself to him as an annihilation of himself . And her death ...
Seite 238
... death and effect a comic transformation to affirm their love . Although only Dogberry's revela- tion influences the plot , the three " deaths " function together to engender the play's comic reconciliations and festive release . Hero's ...
... death and effect a comic transformation to affirm their love . Although only Dogberry's revela- tion influences the plot , the three " deaths " function together to engender the play's comic reconciliations and festive release . Hero's ...
Seite 256
... death and appears ready to make it good with his sword : " You have killed a sweet lady , and her death shall fall heavy on you " ( 148-49 ) . The characters no longer seem to be in the same play , and the resolution cannot come about ...
... death and appears ready to make it good with his sword : " You have killed a sweet lady , and her death shall fall heavy on you " ( 148-49 ) . The characters no longer seem to be in the same play , and the resolution cannot come about ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young