Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 131
... course they do not move us as they move Lear , any more than the grieved awe we feel at Lear's death is the same as the awed grief that Edgar shows . What is mortal shock to Kent is a tragic pang to the audience . From the immediate ...
... course they do not move us as they move Lear , any more than the grieved awe we feel at Lear's death is the same as the awed grief that Edgar shows . What is mortal shock to Kent is a tragic pang to the audience . From the immediate ...
Seite 132
... course , a very large question in Shakespeare criticism . I can do no more with it here than try to suggest how dramatically appropriate it is that the critic should allow the play the " painful mystery " of which Bradley speaks . This ...
... course , a very large question in Shakespeare criticism . I can do no more with it here than try to suggest how dramatically appropriate it is that the critic should allow the play the " painful mystery " of which Bradley speaks . This ...
Seite 200
... course indicate his interest in Hero , who likewise remains silent in the course of the episode . Their silence is empha- sized by the clever and witty dialogue of Benedick and Beatrice , who now take the stage , resuming their un ...
... course indicate his interest in Hero , who likewise remains silent in the course of the episode . Their silence is empha- sized by the clever and witty dialogue of Benedick and Beatrice , who now take the stage , resuming their un ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young