Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 295
... chio , who cuffs the priest at his wedding . But Petru- chio's challenge to this aspect of patriarchy is not sim- ply brute force : it is the energy of his words and imag- ination - his play - that verbally transforms old Vin- centio ...
... chio , who cuffs the priest at his wedding . But Petru- chio's challenge to this aspect of patriarchy is not sim- ply brute force : it is the energy of his words and imag- ination - his play - that verbally transforms old Vin- centio ...
Seite 297
... chio's " curtain lecture " is thus thoroughly unconven- tional . By the end of IV.iii Petruchio has taken on several tasks usually performed by the wife . His masculinity , however , is never called into question , partly because it has ...
... chio's " curtain lecture " is thus thoroughly unconven- tional . By the end of IV.iii Petruchio has taken on several tasks usually performed by the wife . His masculinity , however , is never called into question , partly because it has ...
Seite 342
... chio's skill will confound and transform " Katherine the curst " from shrewish woman to sheepish wife , from witty , aggressive pupil to scholar , when when he " disfigure [ s ] " the " face " of language with a rhetorical " figure ...
... chio's skill will confound and transform " Katherine the curst " from shrewish woman to sheepish wife , from witty , aggressive pupil to scholar , when when he " disfigure [ s ] " the " face " of language with a rhetorical " figure ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young