Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 36
... characters both emblematically - as idealized or stereotyped symbols - and mimetically , with as much realism and naturalism as was available to him within Elizabethan dramatic conventions . ] In the mechanicals action of A Midsummers ...
... characters both emblematically - as idealized or stereotyped symbols - and mimetically , with as much realism and naturalism as was available to him within Elizabethan dramatic conventions . ] In the mechanicals action of A Midsummers ...
Seite 191
... characters some incorrect perception of reality , and , as the plot proceeds , that misperception rectifies itself ( e.g. Comedy of Errors , Twelfth Night , Midsummer Night's Dream ) ; or ( 2 ) some characters voluntarily create ...
... characters some incorrect perception of reality , and , as the plot proceeds , that misperception rectifies itself ( e.g. Comedy of Errors , Twelfth Night , Midsummer Night's Dream ) ; or ( 2 ) some characters voluntarily create ...
Seite 317
... characters anticipate the moments in later plays by Shakespeare and others when male characters impersonate women within the world of the play . One such moment occurs in The Merry Wives of Windsor when Falstaff appears disguised as the ...
... characters anticipate the moments in later plays by Shakespeare and others when male characters impersonate women within the world of the play . One such moment occurs in The Merry Wives of Windsor when Falstaff appears disguised as the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young