Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 45
... actors is part of the comedy . A male actor is speaking , but the joke is that he is simultaneously visually iden- tifiable as a woman , the lady , dressed for her wedding ( ' not furnished like a beggar ' , as she insists , line 207 ) ...
... actors is part of the comedy . A male actor is speaking , but the joke is that he is simultaneously visually iden- tifiable as a woman , the lady , dressed for her wedding ( ' not furnished like a beggar ' , as she insists , line 207 ) ...
Seite 312
... actor actually took the part of Tranio . But the servant , Tranio , is almost too convincing in his role of master , Lucentio . It seems to me false to play Tranio as a man who transports into the role of master the commonness of a ...
... actor actually took the part of Tranio . But the servant , Tranio , is almost too convincing in his role of master , Lucentio . It seems to me false to play Tranio as a man who transports into the role of master the commonness of a ...
Seite 315
... actor infuses into one of the longest and most exciting parts he has ever played , in which , in the end , he silences with his elo- quence the greatest actor in Shakespeare's company , and surpasses even that actor's wildest ...
... actor infuses into one of the longest and most exciting parts he has ever played , in which , in the end , he silences with his elo- quence the greatest actor in Shakespeare's company , and surpasses even that actor's wildest ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young