Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 38
... Sinead Cusack found . the great problem for the actress playing the role is to reconcile the girl at home in Belmont early in the play with the one who plays a Daniel come to judgement in the Venetian court . I couldn't understand why ...
... Sinead Cusack found . the great problem for the actress playing the role is to reconcile the girl at home in Belmont early in the play with the one who plays a Daniel come to judgement in the Venetian court . I couldn't understand why ...
Seite 39
... Sinead Cusack , for example , de- cided to play Portia's words ' my little body is aweary of this great world ' not in the bored voice of a child who has too much of everything , but as a cry of anguish from one who finds the whole ...
... Sinead Cusack , for example , de- cided to play Portia's words ' my little body is aweary of this great world ' not in the bored voice of a child who has too much of everything , but as a cry of anguish from one who finds the whole ...
Seite 40
... Sinead Cusack has described how she worked on the character of Lady Macbeth , informing the role with an awareness of the psychology through which real women are created . Her description sug- gests that she perceived a gap between the ...
... Sinead Cusack has described how she worked on the character of Lady Macbeth , informing the role with an awareness of the psychology through which real women are created . Her description sug- gests that she perceived a gap between the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young