Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 66
... Shake- speare to ensure that Rosalind's virtuosity steadily advances the play's romantic action . In scenes of com- edy , confidences , and unorthodox courtship , Shake- speare anticipated , and compensated for , a boy's short- comings ...
... Shake- speare to ensure that Rosalind's virtuosity steadily advances the play's romantic action . In scenes of com- edy , confidences , and unorthodox courtship , Shake- speare anticipated , and compensated for , a boy's short- comings ...
Seite 68
... Shake- speare's Young Lovers , 1937 ] as too mechanistic and materialistic ; it is not meant as a complete explana- tion . Each of the women's parts , particularly the unconven- tional ones ( which are never the first that the generic ...
... Shake- speare's Young Lovers , 1937 ] as too mechanistic and materialistic ; it is not meant as a complete explana- tion . Each of the women's parts , particularly the unconven- tional ones ( which are never the first that the generic ...
Seite 209
... Shakes- pearean romantic comedy . For here the inner develop- ment of the lovers , especially Benedick and Beatrice ... Shake- speare's treatment of appearance vs. reality in Much Ado about Nothing and the notion of love's ability to ...
... Shakes- pearean romantic comedy . For here the inner develop- ment of the lovers , especially Benedick and Beatrice ... Shake- speare's treatment of appearance vs. reality in Much Ado about Nothing and the notion of love's ability to ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young