Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 78
Seite x
... John . From Shakespeare and Tragedy . Routledge & Kegan Paul , 1981. © John Bayley 1981 . Reprinted by permission of the publisher . - Belsey , Catherine . From " Disrupting Sexual Difference : Meaning and Gender in the Comedies , " in ...
... John . From Shakespeare and Tragedy . Routledge & Kegan Paul , 1981. © John Bayley 1981 . Reprinted by permission of the publisher . - Belsey , Catherine . From " Disrupting Sexual Difference : Meaning and Gender in the Comedies , " in ...
Seite 186
... John's report that Don Pedro is enamoured of Hero is typical : Claudio . How know you he loves her ? Don John . I heard him swear his affection . Borachio . So did I too . . . Claudio . Thus answer I in name of Benedick , But hear these ...
... John's report that Don Pedro is enamoured of Hero is typical : Claudio . How know you he loves her ? Don John . I heard him swear his affection . Borachio . So did I too . . . Claudio . Thus answer I in name of Benedick , But hear these ...
Seite 257
... John's motive is ostensibly resentment toward his le- gitimate brother ; but just as guilt is transferred from Claudio to Borachio to Don John , so Don John's malice , aiming at Don Pedro , glances on Claudio but strikes Hero as its ...
... John's motive is ostensibly resentment toward his le- gitimate brother ; but just as guilt is transferred from Claudio to Borachio to Don John , so Don John's malice , aiming at Don Pedro , glances on Claudio but strikes Hero as its ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young