Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 250
... Hero's role is to meet or reflect others ' expecta- tions of what women are supposed to be ( as Beatrice does not ) and paradoxically , therefore , to represent a powerful threat . Hero's status as a character and the mode of her rep ...
... Hero's role is to meet or reflect others ' expecta- tions of what women are supposed to be ( as Beatrice does not ) and paradoxically , therefore , to represent a powerful threat . Hero's status as a character and the mode of her rep ...
Seite 255
... Hero's behalf may in some sense undercut its own power to effect chang- es in the world of the play and may unconsciously reinforce the assumptions of which Hero is a victim . The friar's plea on behalf of the prostrate Hero revers- es ...
... Hero's behalf may in some sense undercut its own power to effect chang- es in the world of the play and may unconsciously reinforce the assumptions of which Hero is a victim . The friar's plea on behalf of the prostrate Hero revers- es ...
Seite 256
... Hero , has the emotional impact of a father's lament for his dead child ; it carries a weight , a dignity and con- viction , which nearly overshadows our own knowl- edge that the death is a fiction . Somehow this fiction has become the ...
... Hero , has the emotional impact of a father's lament for his dead child ; it carries a weight , a dignity and con- viction , which nearly overshadows our own knowl- edge that the death is a fiction . Somehow this fiction has become the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young