Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 62
... Elizabethan actor could be . Certainly Professor Baker , by directing students to contemporary testimony , is more illuminating than is Mr. Ronald Watkins , when , in an attempt to be helpful , he remarks [ in On Producing Shakespeare ...
... Elizabethan actor could be . Certainly Professor Baker , by directing students to contemporary testimony , is more illuminating than is Mr. Ronald Watkins , when , in an attempt to be helpful , he remarks [ in On Producing Shakespeare ...
Seite 63
... Elizabethan boy - actresses ' voices were poor , or that they habitually acted women's roles once their voices had broken . Hamlet and the players threatened by the Closing of the Theatres knew the value of a boy - actress's voice ...
... Elizabethan boy - actresses ' voices were poor , or that they habitually acted women's roles once their voices had broken . Hamlet and the players threatened by the Closing of the Theatres knew the value of a boy - actress's voice ...
Seite 307
... Elizabethan views of women : The Elizabethan attitude to women , though complicated by the Chain of Being , and contrariwise the worship of Elizabeth , comes more naturally to us than the Victorian . Indeed , our period is perhaps the ...
... Elizabethan views of women : The Elizabethan attitude to women , though complicated by the Chain of Being , and contrariwise the worship of Elizabeth , comes more naturally to us than the Victorian . Indeed , our period is perhaps the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young