Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 172
... Don Pedro is really trying to steal the young lady for himself than he believes it and goes off and sulks . ' Alas , poor hurt fowl , ' exclaims Benedick , ' now will he creep into sedges . ' It is true that Benedick also thinks Don Pedro ...
... Don Pedro is really trying to steal the young lady for himself than he believes it and goes off and sulks . ' Alas , poor hurt fowl , ' exclaims Benedick , ' now will he creep into sedges . ' It is true that Benedick also thinks Don Pedro ...
Seite 200
... Don Pedro and Don John the Bastard . During this episode Claudio is not given a single speech , and the actor must of course indicate his interest in Hero , who likewise remains silent in the course of the episode . Their silence is ...
... Don Pedro and Don John the Bastard . During this episode Claudio is not given a single speech , and the actor must of course indicate his interest in Hero , who likewise remains silent in the course of the episode . Their silence is ...
Seite 221
... Don Pedro , Claudio , Hero , Margaret , and Ursula sporadically provide significant comments as they share with the spectator a practice upon the merry warriors . In the first portion of the play leading to the eaves- dropping scenes ...
... Don Pedro , Claudio , Hero , Margaret , and Ursula sporadically provide significant comments as they share with the spectator a practice upon the merry warriors . In the first portion of the play leading to the eaves- dropping scenes ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young