Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 202
... Claudio , to be followed by Benedick's concurrence , both to be put aside shortly by Don Pedro's explanation . Before concluding , the scene records two brief epi- sodes of interest concerning the reluctant lovers . In the midst of his ...
... Claudio , to be followed by Benedick's concurrence , both to be put aside shortly by Don Pedro's explanation . Before concluding , the scene records two brief epi- sodes of interest concerning the reluctant lovers . In the midst of his ...
Seite 208
Michael Magoulias. of Claudio and Hero , and particularly to the actions and words of Claudio and Leonato . The characters in both plots exhibit ambiguous attitudes and through them elicit complex responses on our part . Claudio is duped ...
Michael Magoulias. of Claudio and Hero , and particularly to the actions and words of Claudio and Leonato . The characters in both plots exhibit ambiguous attitudes and through them elicit complex responses on our part . Claudio is duped ...
Seite 256
... Claudio enters the more formalized dramat- ic world in which the governing plot is the fiction of Hero's death . The scene at Hero's " tomb " ( 5.3 ) marks Claudio's and Don Pedro's entrance into the fictional world created by the other ...
... Claudio enters the more formalized dramat- ic world in which the governing plot is the fiction of Hero's death . The scene at Hero's " tomb " ( 5.3 ) marks Claudio's and Don Pedro's entrance into the fictional world created by the other ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young