Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 177
... Beatrice . Will you not eat your word ? Benedick . With no sauce that can be devised to it I protest I love thee . Beatrice . Why then God forgive me- Benedick . What offence sweet Beatrice ? Beatrice . You have stayed me in a happy ...
... Beatrice . Will you not eat your word ? Benedick . With no sauce that can be devised to it I protest I love thee . Beatrice . Why then God forgive me- Benedick . What offence sweet Beatrice ? Beatrice . You have stayed me in a happy ...
Seite 224
... Beatrice clearly is , but also " mild , " which she undoubtedly is not ( II . iii . 30-33 ) . Benedick can ap- preciate female speech in a pleasant and innocuous form , as his additional requirement that his paragon be " of good ...
... Beatrice clearly is , but also " mild , " which she undoubtedly is not ( II . iii . 30-33 ) . Benedick can ap- preciate female speech in a pleasant and innocuous form , as his additional requirement that his paragon be " of good ...
Seite 225
... Beatrice characterizes herself as a domesticated bird , in Hero's phrase , a " haggard of the rock ” ( III . i . 36 ) , a female hawk broken to her captor's will after having reached maturity in the wild . This epithet clar- ifies the ...
... Beatrice characterizes herself as a domesticated bird , in Hero's phrase , a " haggard of the rock ” ( III . i . 36 ) , a female hawk broken to her captor's will after having reached maturity in the wild . This epithet clar- ifies the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young