Shakespearean CriticismCengage Gale, 2002 - 432 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 31
... tragedy but not to bother with the one on comedy . If there is a hierarchy of modes , there is also a hierarchy within modes : de casibus tragedy is less exalted than Greek , for example . So it is with the kinds of comedy , and the ...
... tragedy but not to bother with the one on comedy . If there is a hierarchy of modes , there is also a hierarchy within modes : de casibus tragedy is less exalted than Greek , for example . So it is with the kinds of comedy , and the ...
Seite 254
... tragedy's traditional function of catharsis . Can a tragedy exercise our pity and fear if it ends with its hero triumphant ? Crit- ics such as O. B. Hardison and John Andrews discussed this . A purging of pity and fear , they argued ...
... tragedy's traditional function of catharsis . Can a tragedy exercise our pity and fear if it ends with its hero triumphant ? Crit- ics such as O. B. Hardison and John Andrews discussed this . A purging of pity and fear , they argued ...
Seite 333
... tragedy ( 46 ) . In a second way King George assists our reading of Lear by illustrating why Shakespeare's tragedy cannot , finally , be read as an absurdist or nihilistic text . As we watch old George respond to the drama of Lear , we ...
... tragedy ( 46 ) . In a second way King George assists our reading of Lear by illustrating why Shakespeare's tragedy cannot , finally , be read as an absurdist or nihilistic text . As we watch old George respond to the drama of Lear , we ...
Inhalt
Character Studies | 17 |
Production Reviews | 27 |
Further Reading | 57 |
Urheberrecht | |
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Adriana Antiochus Antipholus of Syracuse Antonio appears argues audience Bassanio Belmont biblical body bond casket Catholic characters Christian claim Comedy of Errors comic critics daughter death Diana discourse divine dramatic dream Dromio ducats Duke edition Elizabethan England English Ephesus essay date faith Falstaff farce father God's Gower grace Gratiano Hamlet hath Henry human husband identity interpretation Jessica Jewish John King Lear language London Lorenzo Luciana Lysimachus madness Marina marriage means Measure for Measure Menaechmi ment Merchant of Venice mercy moral mother Othello Pericles Plautus play's political Portia Press Prince Prince of Tyre reading religious Renaissance Richard ring role romance says scene seems sense sexual Shake Shakespeare Shakespeare's play Shylock Simonides soul speaks speare speare's speech spiritual stage story suggests Syracusan Thaisa theological thou tion tragedy Twelfth Night usury Venetian wife William Shakespeare words York