Shakespearean CriticismCengage Gale, 2002 - 432 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 121
... audience , conspiring with them , as it were , with a series of ' one - liners ' ( in both senses of the term ) such as : and I , like enough , why then let every man Provide him , and be there for fashion - sake . If any thing shall ...
... audience , conspiring with them , as it were , with a series of ' one - liners ' ( in both senses of the term ) such as : and I , like enough , why then let every man Provide him , and be there for fashion - sake . If any thing shall ...
Seite 126
... audience's understanding of them often meant that their full effect was lost . Even so , his finely nuanced interpreta- tion gave the character not only dignity but an element of mystery . What this Shylock had in common with his ...
... audience's understanding of them often meant that their full effect was lost . Even so , his finely nuanced interpreta- tion gave the character not only dignity but an element of mystery . What this Shylock had in common with his ...
Seite 362
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 ...
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 ; 61 : 176 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 ...
Inhalt
Character Studies | 17 |
Production Reviews | 27 |
Further Reading | 57 |
Urheberrecht | |
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Adriana Antiochus Antipholus of Syracuse Antonio appears argues audience Bassanio Belmont biblical body bond casket Catholic characters Christian claim Comedy of Errors comic critics daughter death Diana discourse divine dramatic dream Dromio ducats Duke edition Elizabethan England English Ephesus essay date faith Falstaff farce father God's Gower grace Gratiano Hamlet hath Henry human husband identity interpretation Jessica Jewish John King Lear language London Lorenzo Luciana Lysimachus madness Marina marriage means Measure for Measure Menaechmi ment Merchant of Venice mercy moral mother Othello Pericles Plautus play's political Portia Press Prince Prince of Tyre reading religious Renaissance Richard ring role romance says scene seems sense sexual Shake Shakespeare Shakespeare's play Shylock Simonides soul speaks speare speare's speech spiritual stage story suggests Syracusan Thaisa theological thou tion tragedy Twelfth Night usury Venetian wife William Shakespeare words York