The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 31
It may be caused either by supernatural inspiration or by extreme emotion . The
inspiration of a seer is the original kind of vision , since it has its roots in the
religious origin of drama . There is only one example of this kind in Senecan
tragedy .
It may be caused either by supernatural inspiration or by extreme emotion . The
inspiration of a seer is the original kind of vision , since it has its roots in the
religious origin of drama . There is only one example of this kind in Senecan
tragedy .
Seite 32
Oedipus is oppressed by a vision of his father approaching him with violent
revengeful movements . To him the apparition has the intensity of a real event .
He is greatly moved by it , as it appears in the gestic innervation of his speech .
Oedipus is oppressed by a vision of his father approaching him with violent
revengeful movements . To him the apparition has the intensity of a real event .
He is greatly moved by it , as it appears in the gestic innervation of his speech .
Seite 115
But with the same suddenness as before the vision reappears , and Faustus
rejects it a second time . In his last , most painful moments Faustus has another
vision : Faustus : O , I ' ll leap up to my God ! — Who pulls me down ?V . ii . 149
See ...
But with the same suddenness as before the vision reappears , and Faustus
rejects it a second time . In his last , most painful moments Faustus has another
vision : Faustus : O , I ' ll leap up to my God ! — Who pulls me down ?V . ii . 149
See ...
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Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer movements murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |