The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
Im Buch
Ergebnisse 1-3 von 12
Seite 67
... traditional Senecan type . When Horatio and Belimperia have their meeting , their love - talk is inter- rupted by the asides of the two secret listeners Balthazar and Lorenzo . Then Belimperia asks : Belimperia : Why stands Horatio ...
... traditional Senecan type . When Horatio and Belimperia have their meeting , their love - talk is inter- rupted by the asides of the two secret listeners Balthazar and Lorenzo . Then Belimperia asks : Belimperia : Why stands Horatio ...
Seite 74
... traditional Senecan mirror - passage is revived as a spontaneous expression of an inner condition and because ... traditional confrontation of passion and reason , and the soothing words of the nurse clearly reveal their model . Much ...
... traditional Senecan mirror - passage is revived as a spontaneous expression of an inner condition and because ... traditional confrontation of passion and reason , and the soothing words of the nurse clearly reveal their model . Much ...
Seite 112
... traditional metaphorical terms : " His heart - blood dries with grief . " Then he is more realistic : now that he is approaching his end , Faustus has pricks of conscience which kill his heart - blood , i . e . his vitality is sapped by ...
... traditional metaphorical terms : " His heart - blood dries with grief . " Then he is more realistic : now that he is approaching his end , Faustus has pricks of conscience which kill his heart - blood , i . e . his vitality is sapped by ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery