The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 57
... thee sixpence to lye one night with thee . Meretrix : Gogs hart , slave , doost thinke I am a sixpeny iug ? No , wis ye , Jack , I looke a little more smug ! Snuf : I will give her XVIII pence to serve me first . Meretrix : Gramercy ...
... thee sixpence to lye one night with thee . Meretrix : Gogs hart , slave , doost thinke I am a sixpeny iug ? No , wis ye , Jack , I looke a little more smug ! Snuf : I will give her XVIII pence to serve me first . Meretrix : Gramercy ...
Seite 69
... thee . Horatio : Thus I retort the dart thou threw'st at me . Belimperia : Nay then , to gain the glory of the field , My twining arms shall yoke and make thee yield . Horatio : Nay then , my arms are large and strong withal : Thus elms ...
... thee . Horatio : Thus I retort the dart thou threw'st at me . Belimperia : Nay then , to gain the glory of the field , My twining arms shall yoke and make thee yield . Horatio : Nay then , my arms are large and strong withal : Thus elms ...
Seite 125
... thee , Barabas ! Barabas : Welcome , great Calymath ! Ferneze : How the slave jeers at him ! ( Aside . ) Barabas : Will't please thee , mighty Selim Calymath , To ascend our homely stairs ? Calymath : Come , bassoes , attend . Ay ...
... thee , Barabas ! Barabas : Welcome , great Calymath ! Ferneze : How the slave jeers at him ! ( Aside . ) Barabas : Will't please thee , mighty Selim Calymath , To ascend our homely stairs ? Calymath : Come , bassoes , attend . Ay ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery