The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 19
... tell me - why , father , art thou silent ? But do thou tell , Theseus ! Nay , Theseus , tell me by thy loyalty ! They both in silence turn away and hide their faces as if in shame , while tears steal down their cheeks ... Theseus and ...
... tell me - why , father , art thou silent ? But do thou tell , Theseus ! Nay , Theseus , tell me by thy loyalty ! They both in silence turn away and hide their faces as if in shame , while tears steal down their cheeks ... Theseus and ...
Seite 101
... tell us how he obtained his doctor's degree and then , dis- appointed at the study of theology , took a fancy to the magic art . The prologue ends like this ( Act I , Prologue 26 ff . ) : 5 Nothing so sweet as magic is to him , Which he ...
... tell us how he obtained his doctor's degree and then , dis- appointed at the study of theology , took a fancy to the magic art . The prologue ends like this ( Act I , Prologue 26 ff . ) : 5 Nothing so sweet as magic is to him , Which he ...
Seite 127
... Tell me , Mathias , is not that the Jew ? Barabas : As for the comment on the Maccabees , I have it , sir , and ... tells him that Mathias , too , is in love with his daughter but that he , Barabas , is against his suit . The last line ...
... Tell me , Mathias , is not that the Jew ? Barabas : As for the comment on the Maccabees , I have it , sir , and ... tells him that Mathias , too , is in love with his daughter but that he , Barabas , is against his suit . The last line ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery