The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... technique is the word - scenery . It occurs when a character in a play refers to the scenery , either to concrete objects on the stage or to an imaginary setting.10 In examining the mirror - technique of different plays we will ask the ...
... technique is the word - scenery . It occurs when a character in a play refers to the scenery , either to concrete objects on the stage or to an imaginary setting.10 In examining the mirror - technique of different plays we will ask the ...
Seite 36
... technique , which stressed the supernatural quality of his characters and their passions . Seneca's epic mirror - technique has a strong hold on the imagination of the reader , or , in the case of recitation , of the listener . It ...
... technique , which stressed the supernatural quality of his characters and their passions . Seneca's epic mirror - technique has a strong hold on the imagination of the reader , or , in the case of recitation , of the listener . It ...
Seite 61
... technique . Here mood is expressed by descriptive passages of the Senecan type ( tears , embrace ) . Even in this popular play the classical tradition leaves its mark . In the comic scenes the mirror - technique serves the simple ...
... technique . Here mood is expressed by descriptive passages of the Senecan type ( tears , embrace ) . Even in this popular play the classical tradition leaves its mark . In the comic scenes the mirror - technique serves the simple ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery