The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
Im Buch
Ergebnisse 1-3 von 28
Seite 19
... tears steal down their cheeks ... Theseus and Amphitryon are so distressed that they cannot give an answer to Hercules ' question . They remain silent , they turn away from him and cover their faces to hide their tears . Their movements ...
... tears steal down their cheeks ... Theseus and Amphitryon are so distressed that they cannot give an answer to Hercules ' question . They remain silent , they turn away from him and cover their faces to hide their tears . Their movements ...
Seite 23
... Tears overflow my cheeks and from my vanquished eyes a sudden shower falls.27 The reference to a sudden flow of tears at the end of the passage is inadequate in Hecuba's speech . It obviously belongs to the transitive mirror - technique ...
... Tears overflow my cheeks and from my vanquished eyes a sudden shower falls.27 The reference to a sudden flow of tears at the end of the passage is inadequate in Hecuba's speech . It obviously belongs to the transitive mirror - technique ...
Seite 44
... tears in the play . The word " tears " , however , does not always carry a visual import : Gismond : Ah my dere Lord , what well of teres may serve to fede the streames of my fordullëd eyes , to wepe thy death as doeth such losse ...
... tears in the play . The word " tears " , however , does not always carry a visual import : Gismond : Ah my dere Lord , what well of teres may serve to fede the streames of my fordullëd eyes , to wepe thy death as doeth such losse ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery