The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 117
... symbolic , mirror - technique serves the expression of Faustus ' inner struggle . The mirror - passages in the comic parts serve a different purpose : they merely contribute to the amusement of the audience , reflecting the practical ...
... symbolic , mirror - technique serves the expression of Faustus ' inner struggle . The mirror - passages in the comic parts serve a different purpose : they merely contribute to the amusement of the audience , reflecting the practical ...
Seite 141
... symbolic manner . His simple speech and his genuine tears add a soothing quality to the grim visual act . Marlowe notates action also by impulse passages . Like his mirror - passages so his impulse passages are of a highly functional ...
... symbolic manner . His simple speech and his genuine tears add a soothing quality to the grim visual act . Marlowe notates action also by impulse passages . Like his mirror - passages so his impulse passages are of a highly functional ...
Seite 150
... symbolic stage business . Yet even he sometimes resorted to the Senecan mirror- technique and refashioned it . He started off with a play in which speech is the dominating element : Tamburlaine is mirrored in transitive passages which ...
... symbolic stage business . Yet even he sometimes resorted to the Senecan mirror- technique and refashioned it . He started off with a play in which speech is the dominating element : Tamburlaine is mirrored in transitive passages which ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery