The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 55
... subjective . Ambidexter introduces himself in an imposing manner . He refers to his outfit in grand words and gestures ( lines 126 f . ) . His gran- diloquence contrasts with the shabbiness of his actual appearance . He is bragging ...
... subjective . Ambidexter introduces himself in an imposing manner . He refers to his outfit in grand words and gestures ( lines 126 f . ) . His gran- diloquence contrasts with the shabbiness of his actual appearance . He is bragging ...
Seite 61
... subjective utterances of a lyrical quality . Such lyrical expression of mood harmonizes with the dramatic context in a much better way than the Senecan epic description . Within set speeches ( supplication , lament ) Preston applies a ...
... subjective utterances of a lyrical quality . Such lyrical expression of mood harmonizes with the dramatic context in a much better way than the Senecan epic description . Within set speeches ( supplication , lament ) Preston applies a ...
Seite 117
... subjective relation to time shows the extent of his inner tension , a tension which reaches its climax at the moment when , after the striking of midnight , the devils appear on stage . At this moment the gloomy night in his room and ...
... subjective relation to time shows the extent of his inner tension , a tension which reaches its climax at the moment when , after the striking of midnight , the devils appear on stage . At this moment the gloomy night in his room and ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery