The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Ergebnisse 1-3 von 83
Seite 45
... stage shortly afterwards , and her behaviour , as described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears ...
... stage shortly afterwards , and her behaviour , as described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears ...
Seite 58
... stage - direction , the first sentence of which ( Heer draw and fight . ) is retrospective , for it corresponds to the last two speeches . The rest of the stage - direction is prospective , its contents being coordinated with the ...
... stage - direction , the first sentence of which ( Heer draw and fight . ) is retrospective , for it corresponds to the last two speeches . The rest of the stage - direction is prospective , its contents being coordinated with the ...
Seite 64
... stage without interrupting their conversation the dramatic situation is maintained up to the very last moment . Stage - directions are hardly necessary for exits . Only at the end of the play a direction says that the persons leave the ...
... stage without interrupting their conversation the dramatic situation is maintained up to the very last moment . Stage - directions are hardly necessary for exits . Only at the end of the play a direction says that the persons leave the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery