The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 119
... speak in whispers . They decide to seek Barabas ' advice in some urgent matter , and hardly have they done so when they see him stepping forward to meet them , as it is suggested by their remark " here he comes " . In approaching them ...
... speak in whispers . They decide to seek Barabas ' advice in some urgent matter , and hardly have they done so when they see him stepping forward to meet them , as it is suggested by their remark " here he comes " . In approaching them ...
Seite 136
... speak , or shall I sigh and die ! Spencer Jun .: My lord , refer your vengeance to the sword Upon these barons ... speak . Edward , however , does not use it mainly to intimidate the enemy ; he prefers to speak in commiseration of ...
... speak , or shall I sigh and die ! Spencer Jun .: My lord , refer your vengeance to the sword Upon these barons ... speak . Edward , however , does not use it mainly to intimidate the enemy ; he prefers to speak in commiseration of ...
Seite 139
... speak of the indignities he suffers . Action : The play is remarkable for its effective integration of action in speech and speech in action . We first examine the mirror - passages . Early in the play the relation between Edward and ...
... speak of the indignities he suffers . Action : The play is remarkable for its effective integration of action in speech and speech in action . We first examine the mirror - passages . Early in the play the relation between Edward and ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery