The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 47
... sight he gives vent to his feelings of guilt . He does not describe the body , his emotions being too strong to look at it in an objective way . The passage is a subjective expression of feeling . Although its outer form is that of the ...
... sight he gives vent to his feelings of guilt . He does not describe the body , his emotions being too strong to look at it in an objective way . The passage is a subjective expression of feeling . Although its outer form is that of the ...
Seite 55
... sight of Ambidexter : Huf : Gogs wounds , what art thou that with us doost mel ? Thou seemest to be a souldier , the truth to tel ; Thou seemest to be harnessed I cannot tel how , I thinke he came lately from riding some cow . Such a ...
... sight of Ambidexter : Huf : Gogs wounds , what art thou that with us doost mel ? Thou seemest to be a souldier , the truth to tel ; Thou seemest to be harnessed I cannot tel how , I thinke he came lately from riding some cow . Such a ...
Seite 106
... sight on Faustus is much more important than the sight itself . The angel then describes hell in detail , pointing to it with demonstratives like " there , this 106.
... sight on Faustus is much more important than the sight itself . The angel then describes hell in detail , pointing to it with demonstratives like " there , this 106.
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery