The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 16
... shows Scythian austerity . Phaedra ventures to declare her love to her stepson , who is a decided woman- hater . She takes pains to justify herself : his appearance reminds her of the looks of her husband when he came to Crete , a young ...
... shows Scythian austerity . Phaedra ventures to declare her love to her stepson , who is a decided woman- hater . She takes pains to justify herself : his appearance reminds her of the looks of her husband when he came to Crete , a young ...
Seite 101
... shows that Doctor Faustus is similar to Tamburlaine , for both plays have a dominating protagonist . Also Wolfgang Clemen is in favour of an early date , as there is an obvious relationship between the two plays.3 If we accept an early ...
... shows that Doctor Faustus is similar to Tamburlaine , for both plays have a dominating protagonist . Also Wolfgang Clemen is in favour of an early date , as there is an obvious relationship between the two plays.3 If we accept an early ...
Seite 126
... shows that the culprit changed his place very rapidly ; having disappeared from the balcony , he is suddenly discovered - maybe on a back stage - in a burning cauldron . Calymath is shocked at the unexpected turn of events . Barabas ...
... shows that the culprit changed his place very rapidly ; having disappeared from the balcony , he is suddenly discovered - maybe on a back stage - in a burning cauldron . Calymath is shocked at the unexpected turn of events . Barabas ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery