The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 39
... scene . In the former scene Philander talks with Porrex ; now we hear that he has come from Porrex to Gorboduc . Clearly the function of the passage is explanatory.18 The only visual element in it is the reference to haste , which , in ...
... scene . In the former scene Philander talks with Porrex ; now we hear that he has come from Porrex to Gorboduc . Clearly the function of the passage is explanatory.18 The only visual element in it is the reference to haste , which , in ...
Seite 79
... scene is given a clear local and temporal frame . Its atmosphere is painted by a lyrical word - scenery similar to Preston's : the song of the nightingale will charm the happy lovers . When the meeting takes place , Kyd introduces ...
... scene is given a clear local and temporal frame . Its atmosphere is painted by a lyrical word - scenery similar to Preston's : the song of the nightingale will charm the happy lovers . When the meeting takes place , Kyd introduces ...
Seite 130
... scene by a simple place indication.18 A special instance of this is Scene I. ii , which represents a " gliding scene ” : It com- prises a long period of time , which is foreshortened in such a manner that the decisions taken at its ...
... scene by a simple place indication.18 A special instance of this is Scene I. ii , which represents a " gliding scene ” : It com- prises a long period of time , which is foreshortened in such a manner that the decisions taken at its ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery