The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 44
Tancred begins by describing very carefully how he is going to work his revenge .
He then expatiates on the immorality of Gismond ' s behaviour . This justification
of his revenge shows the effort of the authors to furnish the plot with a moral .
Tancred begins by describing very carefully how he is going to work his revenge .
He then expatiates on the immorality of Gismond ' s behaviour . This justification
of his revenge shows the effort of the authors to furnish the plot with a moral .
Seite 77
of his inner condition : he still speaks in the gruesome terms of his imaginary
revenge . At the same time he displays a strange playful liveliness , running away
and telling the others to catch him . Thus there is a contrast between his dire
mental ...
of his inner condition : he still speaks in the gruesome terms of his imaginary
revenge . At the same time he displays a strange playful liveliness , running away
and telling the others to catch him . Thus there is a contrast between his dire
mental ...
Seite 146
By the introduction of the blood - drenched standard the fantasy becomes
connected with the reality of the scene , and the royal flag is turned into a token of
revenge . In Tamburlaine , too , Marlowe uses colour symbolism of this kind ( cf .
p .
By the introduction of the blood - drenched standard the fantasy becomes
connected with the reality of the scene , and the royal flag is turned into a token of
revenge . In Tamburlaine , too , Marlowe uses colour symbolism of this kind ( cf .
p .
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Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer movements murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |