The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 44
... revenge . He then expatiates on the immorality of Gismond's behaviour . This justification of his revenge shows the effort of the authors to furnish the plot with a moral . Then Tancred imagines what the effect of the bloody act on his ...
... revenge . He then expatiates on the immorality of Gismond's behaviour . This justification of his revenge shows the effort of the authors to furnish the plot with a moral . Then Tancred imagines what the effect of the bloody act on his ...
Seite 77
... revenge . At the same time he displays a strange playful liveliness , running away and telling the others to catch him . Thus there is a contrast between his dire mental state as shown in his imaginary speech and his jolly physical ...
... revenge . At the same time he displays a strange playful liveliness , running away and telling the others to catch him . Thus there is a contrast between his dire mental state as shown in his imaginary speech and his jolly physical ...
Seite 146
... revenge . In Tam- burlaine , too , Marlowe uses colour symbolism of this kind ( cf. p . 96 ) . The more he suffers the less Edward thinks of revenge . There is a last outbreak of indignation when he sees the paper by which Mortimer ...
... revenge . In Tam- burlaine , too , Marlowe uses colour symbolism of this kind ( cf. p . 96 ) . The more he suffers the less Edward thinks of revenge . There is a last outbreak of indignation when he sees the paper by which Mortimer ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery