The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 21
... reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated at the end by two similes . Thus the event is given a magnified ...
... reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated at the end by two similes . Thus the event is given a magnified ...
Seite 55
... reflexive mirror - passage . The feelings of the parents appear not only in Praxaspes ' reference to his " heavy heart " , but above all in their grouping : they carry the dead child , the object of their affection , between themselves ...
... reflexive mirror - passage . The feelings of the parents appear not only in Praxaspes ' reference to his " heavy heart " , but above all in their grouping : they carry the dead child , the object of their affection , between themselves ...
Seite 69
... reflexive mirror - passages and impulse words all work together to indicate what happens on the stage and in what manner it happens . The game begins quietly : one transitive passage is answered by a similar one , and the two lovers ...
... reflexive mirror - passages and impulse words all work together to indicate what happens on the stage and in what manner it happens . The game begins quietly : one transitive passage is answered by a similar one , and the two lovers ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery