The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... references to the performance on stage , references which are not just added in stage - directions but are immanent in the text itself , i . e . which appear in the speeches of the characters in the play . According to him it is the ...
... references to the performance on stage , references which are not just added in stage - directions but are immanent in the text itself , i . e . which appear in the speeches of the characters in the play . According to him it is the ...
Seite 18
... references in this Senecan mirror - passage are abstract . They are in- distinct in the sense that they do not specify the specific physical equivalents of the emotions . Similar references occur in the following passages : dolor in ...
... references in this Senecan mirror - passage are abstract . They are in- distinct in the sense that they do not specify the specific physical equivalents of the emotions . Similar references occur in the following passages : dolor in ...
Seite 35
... references to physical appearance or behaviour . Such references are of a restricted , pattern - like nature : the same vis- ual elements recur time and again . Seneca's mirror - technique reveals a tendency towards expressionism . By ...
... references to physical appearance or behaviour . Such references are of a restricted , pattern - like nature : the same vis- ual elements recur time and again . Seneca's mirror - technique reveals a tendency towards expressionism . By ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery