The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 39
... present scene . In the former scene Philander talks with Porrex ; now we hear that he has come from Porrex to Gorboduc . Clearly the function of the passage is explanatory.18 The only visual element in it is the reference to haste ...
... present scene . In the former scene Philander talks with Porrex ; now we hear that he has come from Porrex to Gorboduc . Clearly the function of the passage is explanatory.18 The only visual element in it is the reference to haste ...
Seite 94
... present The naked action of my threatened end . It says , Agydas , thou shalt surely die . 888 Like Tamburlaine his messenger Techelles does not speak out . He merely presents the dagger . Agydas immediately understands the significance ...
... present The naked action of my threatened end . It says , Agydas , thou shalt surely die . 888 Like Tamburlaine his messenger Techelles does not speak out . He merely presents the dagger . Agydas immediately understands the significance ...
Seite 110
... present . Faustus : I thank you , sir . ( Snatches the dish . ) Pope : How now ? who's that which snatch'd the meat from me ? Villains , why speak you not ? - My good Lord Archbishop , here's a most dainty dish , Was sent me from a ...
... present . Faustus : I thank you , sir . ( Snatches the dish . ) Pope : How now ? who's that which snatch'd the meat from me ? Villains , why speak you not ? - My good Lord Archbishop , here's a most dainty dish , Was sent me from a ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery