The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 42
... play.23 The authors are just as little concerned with the scenery as with the appearance and behaviour of their characters . Summary Gorboduc consists of a political argument . The authors want to create a model of the fall of a royal ...
... play.23 The authors are just as little concerned with the scenery as with the appearance and behaviour of their characters . Summary Gorboduc consists of a political argument . The authors want to create a model of the fall of a royal ...
Seite 53
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
Seite 82
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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1817 LIBRARIES Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character CHIGAN Christopher Marlowe comic crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor MICHIGAN mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright posture Queen references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades UNIV utters villain vision visual word-scenery Zenocrate Zenocrate's