The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 42
... play.23 The authors are just as little concerned with the scenery as with the appearance and behaviour of their characters . Summary Gorboduc consists of a political argument . The authors want to create a model of the fall of a royal ...
... play.23 The authors are just as little concerned with the scenery as with the appearance and behaviour of their characters . Summary Gorboduc consists of a political argument . The authors want to create a model of the fall of a royal ...
Seite 53
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
Seite 82
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery