The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 22
... physical effects of his fear only but also the feelings which cause the physical condition : he tries to go , he wants to go , for he does not see any reason for fear ; yet he cannot , his knees fail him . The simile at the end ...
... physical effects of his fear only but also the feelings which cause the physical condition : he tries to go , he wants to go , for he does not see any reason for fear ; yet he cannot , his knees fail him . The simile at the end ...
Seite 45
... physical expression of passion : it occurs , if not in its mirror - passages , then at least in reports : Claudia informs the audience of Gismond's condition in the following words : Claudia : Whoes sharp conflict disquietes her so sore ...
... physical expression of passion : it occurs , if not in its mirror - passages , then at least in reports : Claudia informs the audience of Gismond's condition in the following words : Claudia : Whoes sharp conflict disquietes her so sore ...
Seite 70
... physical play on stage is denoted with such accuracy that even its speed is recorded : first an accelerando , then a ritardando , then the catas- trophe . The action in itself is a strangely physical expression of a love relationship ...
... physical play on stage is denoted with such accuracy that even its speed is recorded : first an accelerando , then a ritardando , then the catas- trophe . The action in itself is a strangely physical expression of a love relationship ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery