The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... person on stage . They may be transitive , if the speaker talks about another person , or reflexive , if he talks about himself . They need not always describe a simultaneous event , but they may point to the future ( prospective mirror ...
... person on stage . They may be transitive , if the speaker talks about another person , or reflexive , if he talks about himself . They need not always describe a simultaneous event , but they may point to the future ( prospective mirror ...
Seite 35
... person may be rendered visible by a mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict ...
... person may be rendered visible by a mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict ...
Seite 54
... person just spoken of . The reference to the newcomer in this example is not really integrated in the dramatic context . The councellor interrupts the king's speech and makes a formal announcement . Better integration is found in the ...
... person just spoken of . The reference to the newcomer in this example is not really integrated in the dramatic context . The councellor interrupts the king's speech and makes a formal announcement . Better integration is found in the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery