The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... performance on stage . A critic of drama must therefore take into account more factors than just the written text and its mean- ings : there is the visual impression the spectator gets of the stage events ( scenery ; actors , their ...
... performance on stage . A critic of drama must therefore take into account more factors than just the written text and its mean- ings : there is the visual impression the spectator gets of the stage events ( scenery ; actors , their ...
Seite 8
... performance or not ? This question is particularly important in the case of Seneca . If Seneca's mirror - technique turns out to be conceived without reference to what can be enacted by living actors on a stage , we are inclined to ...
... performance or not ? This question is particularly important in the case of Seneca . If Seneca's mirror - technique turns out to be conceived without reference to what can be enacted by living actors on a stage , we are inclined to ...
Seite 13
... performance . Then Medea is described in direct terms . Her behaviour is an exaggerated physi- cal manifestation of an intense passion . She is subjected not to one passion alone but to different attacks of conflicting emotions : in no ...
... performance . Then Medea is described in direct terms . Her behaviour is an exaggerated physi- cal manifestation of an intense passion . She is subjected not to one passion alone but to different attacks of conflicting emotions : in no ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery