The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 21
... passage can express primarily the speaker's inner feelings . Seneca generally respects this difference , though he is not always consistent : we have found the remark " faintness dulls his vision " in a transitive passage . With regard ...
... passage can express primarily the speaker's inner feelings . Seneca generally respects this difference , though he is not always consistent : we have found the remark " faintness dulls his vision " in a transitive passage . With regard ...
Seite 39
... passage is explanatory.18 The only visual element in it is the reference to haste , which , in its isolation , has little force . The following passage by Sackville is different : Gorboduc : ... But what doth meane The sory chere of her ...
... passage is explanatory.18 The only visual element in it is the reference to haste , which , in its isolation , has little force . The following passage by Sackville is different : Gorboduc : ... But what doth meane The sory chere of her ...
Seite 67
... passage occurs in Villuppo's false accusation of Alexandro : Villuppo : Till Alexandro , that here counterfeits Under the colour of a duteous friend , II I. iii . 65 The mirror - passage is highly subjective . The villain Villuppo ...
... passage occurs in Villuppo's false accusation of Alexandro : Villuppo : Till Alexandro , that here counterfeits Under the colour of a duteous friend , II I. iii . 65 The mirror - passage is highly subjective . The villain Villuppo ...
Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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1817 LIBRARIES Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character CHIGAN Christopher Marlowe comic crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor MICHIGAN mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright posture Queen references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades UNIV utters villain vision visual word-scenery Zenocrate Zenocrate's