The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 65
... murder of their sons ; they are both in need of support . There is a certain complexity in their grouping : they are both weak , yet either of them is able to support the other . This complexity , which is also stressed by the stylistic ...
... murder of their sons ; they are both in need of support . There is a certain complexity in their grouping : they are both weak , yet either of them is able to support the other . This complexity , which is also stressed by the stylistic ...
Seite 73
... murder scene : Belimperia : Who's there ? Pedringano ! We are betray'd ! ( Enter Lorenzo , Balthazar , Serberine , Pedringano , disguised . ) Lorenzo : My lord , away with her , take her aside . O sir , forbear , your valour is already ...
... murder scene : Belimperia : Who's there ? Pedringano ! We are betray'd ! ( Enter Lorenzo , Balthazar , Serberine , Pedringano , disguised . ) Lorenzo : My lord , away with her , take her aside . O sir , forbear , your valour is already ...
Seite 143
... murder , especially the mentioning of the three tools , leave no doubt that Marlowe meant the murdering to be done ... murder are notated in speech , the murder itself is implied , the most adequate vocal expression of its horror being ...
... murder , especially the mentioning of the three tools , leave no doubt that Marlowe meant the murdering to be done ... murder are notated in speech , the murder itself is implied , the most adequate vocal expression of its horror being ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery