The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... mirror - passages ) or refer to the past ( retrospective mirror- passages ) . They may mention a fact as it is , i . e . contain objective and reliable in- formation , or they may distort the facts in consequence of the special point of ...
... mirror - passages ) or refer to the past ( retrospective mirror- passages ) . They may mention a fact as it is , i . e . contain objective and reliable in- formation , or they may distort the facts in consequence of the special point of ...
Seite 14
... passages a future event , which will not be shown on stage , is described in great detail . Thus we find that with exits , as with entrances , Seneca uses more ... Mirror-Passages within the Scene Transitive Mirror-Passages a) Appearance.
... passages a future event , which will not be shown on stage , is described in great detail . Thus we find that with exits , as with entrances , Seneca uses more ... Mirror-Passages within the Scene Transitive Mirror-Passages a) Appearance.
Seite 35
... mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the ...
... mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery