The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 35
... means of the subjective passage ( e . g . Phaedra's declara- tion of love ) . Usually it is rendered visible by references to physical appearance or behaviour . Such references are of a restricted , pattern - like nature : the same vis ...
... means of the subjective passage ( e . g . Phaedra's declara- tion of love ) . Usually it is rendered visible by references to physical appearance or behaviour . Such references are of a restricted , pattern - like nature : the same vis ...
Seite 58
... means ; it cannot refer to an action at the moment it happens but it works retro- spectively and prospectively . The gestic innervation of speech is a much better means , for it coordinates the action with the speech in the closest ...
... means ; it cannot refer to an action at the moment it happens but it works retro- spectively and prospectively . The gestic innervation of speech is a much better means , for it coordinates the action with the speech in the closest ...
Seite 69
... means . The tertium comparationis of love and war is the notion of retaliation or return . Four lines ( 34-37 ) are built on the same pattern : expression of love - warlike term of retaliation - expression of love . In a final line the ...
... means . The tertium comparationis of love and war is the notion of retaliation or return . Four lines ( 34-37 ) are built on the same pattern : expression of love - warlike term of retaliation - expression of love . In a final line the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery