The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 69
Renate Stamm. Send thou sweet looks , I'll meet them with sweet looks , Write loving lines , I'll answer loving lines , Give me a kiss , I'll countercheck thy kiss : Be this our warring peace , or peaceful war . Belimperia invites her ...
Renate Stamm. Send thou sweet looks , I'll meet them with sweet looks , Write loving lines , I'll answer loving lines , Give me a kiss , I'll countercheck thy kiss : Be this our warring peace , or peaceful war . Belimperia invites her ...
Seite 87
... looks . Argier brags about Bajazeth's " magnificence " , using an impressive abstract noun to denote all the resources of power by which he is used to impress the world . Bajazeth confirms his remark by an even stronger statement . He ...
... looks . Argier brags about Bajazeth's " magnificence " , using an impressive abstract noun to denote all the resources of power by which he is used to impress the world . Bajazeth confirms his remark by an even stronger statement . He ...
Seite 135
... looks . Villain , I know thou comst to murther me . V. v . 43 These looks of thine can harbour nought but death : I see my tragedy written in thy brows . 72 These passages do not contain any description . They only mention the effect of ...
... looks . Villain , I know thou comst to murther me . V. v . 43 These looks of thine can harbour nought but death : I see my tragedy written in thy brows . 72 These passages do not contain any description . They only mention the effect of ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery