The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 55
... later on he turns out to be a great coward . In this mirror - passage speech and appearance are at odds . By their contrast the comic quality of Ambidexter's character , his conceit and self - deception , is made prominent . Later in ...
... later on he turns out to be a great coward . In this mirror - passage speech and appearance are at odds . By their contrast the comic quality of Ambidexter's character , his conceit and self - deception , is made prominent . Later in ...
Seite 99
... later he is already disillusioned ( but see , he comes again ) . By such gestic impulses Marlowe dramatizes the passage . He provides a Senecan type of mirror - passage with a new meaning : Tamburlaine's vision is not an expression of ...
... later he is already disillusioned ( but see , he comes again ) . By such gestic impulses Marlowe dramatizes the passage . He provides a Senecan type of mirror - passage with a new meaning : Tamburlaine's vision is not an expression of ...
Seite 130
... Later her loyalty to him is badly shaken , and it finds a poor reward when , finally , she is poisoned by him . Word - Scenery : Marlowe may localize a scene by a simple place indication.18 A special instance of this is Scene I. ii ...
... Later her loyalty to him is badly shaken , and it finds a poor reward when , finally , she is poisoned by him . Word - Scenery : Marlowe may localize a scene by a simple place indication.18 A special instance of this is Scene I. ii ...
Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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1817 LIBRARIES Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character CHIGAN Christopher Marlowe comic crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor MICHIGAN mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright posture Queen references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades UNIV utters villain vision visual word-scenery Zenocrate Zenocrate's