The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 10
... introduced to the spectator or the reader . If the stage is empty he must do it himself . If other persons are present they may do it for him . Seneca frequently uses the transitive mirror - passage for the purpose of introduction ...
... introduced to the spectator or the reader . If the stage is empty he must do it himself . If other persons are present they may do it for him . Seneca frequently uses the transitive mirror - passage for the purpose of introduction ...
Seite 39
... introduced as coming from Por- rex . Not only a change of place , also a lapse of time may be bridged by an explana- tory exit : Mandud : My lordes than let us presently depart , and follow this that liketh us so well . V. i . 122 ...
... introduced as coming from Por- rex . Not only a change of place , also a lapse of time may be bridged by an explana- tory exit : Mandud : My lordes than let us presently depart , and follow this that liketh us so well . V. i . 122 ...
Seite 60
... introduced into the play . Soon afterwards Cambyses enters and immediately falls in love with the lady . The word ... introducing them to the audience by showing them in a dramatic situation . The exits are either stimulated by impulse ...
... introduced into the play . Soon afterwards Cambyses enters and immediately falls in love with the lady . The word ... introducing them to the audience by showing them in a dramatic situation . The exits are either stimulated by impulse ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery