The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 21
... inner experience can be uttered only by Hercules himself in a reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated ...
... inner experience can be uttered only by Hercules himself in a reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated ...
Seite 43
... inner condition . He suffers from a conflict . His anger , which in his eyes is just , calls for revenge against his faithless daugther . A natural impulse , however , makes him refrain from acting against his own child . This checking ...
... inner condition . He suffers from a conflict . His anger , which in his eyes is just , calls for revenge against his faithless daugther . A natural impulse , however , makes him refrain from acting against his own child . This checking ...
Seite 117
... inner tension , a tension which reaches its climax at the moment when , after the striking of midnight , the devils ... inner event , with Faustus ' submission to the devil . In its serious parts a highly functional , often symbolic ...
... inner tension , a tension which reaches its climax at the moment when , after the striking of midnight , the devils ... inner event , with Faustus ' submission to the devil . In its serious parts a highly functional , often symbolic ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery