The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... impulse . It does not describe a stage event but it stimulates it . It is a signal that a given psychic impulse demands gestic as well as oral expression . Such impulses are contained in certain types of words and forms of speech ...
... impulse . It does not describe a stage event but it stimulates it . It is a signal that a given psychic impulse demands gestic as well as oral expression . Such impulses are contained in certain types of words and forms of speech ...
Seite 60
... impulse words , and mirror - passages , and he makes use of significant proper- ties , groupings , and stage sounds . The stage - direction is his means to note down visual items which are not- -or only partially - reflected in speech ...
... impulse words , and mirror - passages , and he makes use of significant proper- ties , groupings , and stage sounds . The stage - direction is his means to note down visual items which are not- -or only partially - reflected in speech ...
Seite 75
... impulse . In Seneca's plays the phrase is without this . dramatic quality . " In this passage we find a traditional dramatic situation but a new way of expressing emotion : as in Seneca's plays passion manifests itself in physical ...
... impulse . In Seneca's plays the phrase is without this . dramatic quality . " In this passage we find a traditional dramatic situation but a new way of expressing emotion : as in Seneca's plays passion manifests itself in physical ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery