The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... imagination only . In this study we shall add two terms to those used by Rudolf Stamm . The mirror - passages referring to outer , physical events will be termed “ direct ” , those referring to inner , mental conditions " indirect ...
... imagination only . In this study we shall add two terms to those used by Rudolf Stamm . The mirror - passages referring to outer , physical events will be termed “ direct ” , those referring to inner , mental conditions " indirect ...
Seite 29
... imaginative power of the mind . Imagination may have yet another ef- fect : it may make the characters see things without any objective reality . The Senecan avengers suffer from their immense passions . Their thirst for re- venge is ...
... imaginative power of the mind . Imagination may have yet another ef- fect : it may make the characters see things without any objective reality . The Senecan avengers suffer from their immense passions . Their thirst for re- venge is ...
Seite 114
... imagination ranges in a different sphere . It now produces dark pictures : Faustus : My heart is harden'd , I cannot repent : Scarce can I name salvation , faith , or heaven , But fearful echoes thunders in mine ears , ' Faustus , thou ...
... imagination ranges in a different sphere . It now produces dark pictures : Faustus : My heart is harden'd , I cannot repent : Scarce can I name salvation , faith , or heaven , But fearful echoes thunders in mine ears , ' Faustus , thou ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery