The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 22
At thy knees I fall , a suppliant , Ulysses , and this hand , which no man ' s feet
have known , I lay upon thy feet . Pity a mother , . . . The suppliant goes down on
her knees and touches the feet of her opponent . She gives her movements more
...
At thy knees I fall , a suppliant , Ulysses , and this hand , which no man ' s feet
have known , I lay upon thy feet . Pity a mother , . . . The suppliant goes down on
her knees and touches the feet of her opponent . She gives her movements more
...
Seite 24
See , with left hand in her twisted hair ... This is beyond my prayer , that , with my
honour saved , ' tis by thy hands I die . Hippolytus : Begone , live ... With his left
hand he forces her into the position of the victim by pulling back her head . He
now ...
See , with left hand in her twisted hair ... This is beyond my prayer , that , with my
honour saved , ' tis by thy hands I die . Hippolytus : Begone , live ... With his left
hand he forces her into the position of the victim by pulling back her head . He
now ...
Seite 137
lower his hands to it as if he desired to embrace the whole of the earth ; then he
may raise them to the sky ; the three stresses on “ this right hand ” suggest that
his right hand then becomes a fist shaken in front of his chest ; the fourth gesture
...
lower his hands to it as if he desired to embrace the whole of the earth ; then he
may raise them to the sky ; the three stresses on “ this right hand ” suggest that
his right hand then becomes a fist shaken in front of his chest ; the fourth gesture
...
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Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer movements murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |