The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 61
... grief of the victims appears in simple , subjective utterances of a lyrical quality . Such lyrical expression of mood harmonizes with the dramatic context in a much better way than the Senecan epic description . Within set speeches ...
... grief of the victims appears in simple , subjective utterances of a lyrical quality . Such lyrical expression of mood harmonizes with the dramatic context in a much better way than the Senecan epic description . Within set speeches ...
Seite 112
... grief , His conscience kills it and his labouring brain Begets a world of idle fantasies , To over - reach the Devil ; but all in vain , His store of pleasures must be sauc'd with pain . V. ii . 9 The spirits of hell act as onlookers ...
... grief , His conscience kills it and his labouring brain Begets a world of idle fantasies , To over - reach the Devil ; but all in vain , His store of pleasures must be sauc'd with pain . V. ii . 9 The spirits of hell act as onlookers ...
Seite 136
... grief . He kneels down and vows revenge . His gesture of kneeling down is not mirrored as it is in Tamburlaine and The Jew of Malta , but , being merely implied in his speech , it is indicated in a stage - direction : Edward : O shall I ...
... grief . He kneels down and vows revenge . His gesture of kneeling down is not mirrored as it is in Tamburlaine and The Jew of Malta , but , being merely implied in his speech , it is indicated in a stage - direction : Edward : O shall I ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery